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![]() Post Crisis Archives?? (Page 2)
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| Author | Topic: Post Crisis Archives?? |
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Joe Pacheco Member |
quote: I guess that's the big difference. Scarcity doesn't concern me, esp. since the scarcist books (GA) are the ones I'm least interested in. I'm more concerned about getting books I like in an upscale package. That's why the price of the back issues has never been the point for me. IP: Logged |
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the ? Member |
I also buy mainly hardcover books. I like the permanence. But I don't think everything that deserves a hardcover deserves an Archive. Let me refine my question: Would you rather have an Archive hardcover or a regular cover of a recent comic? Would you be willing to spend an extra $15 over the price of a regular hardcover to get the material in an Archive? IP: Logged |
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vze2 Member |
quote: This is a point I've tried to make a number of times. I think there are two main groups here. 1. People like me. Many of us are trying to read comics that we have no other way to read. We don't necessarily think that these are the best comics, but we have no other opportunity. For many of us, these are comics we have never read. For others, these are comics that they read as kids but no longer own. GA and early SA are almost always our highest priorities. 2. People like you. Quality, both content and format, is very important to you, but scarcity isn't. People like you see most GA comics as crude; most people in my group would agree. People in your group have virtually no interest in GA comics while many people in my group have a very high interest. This is why I don't think late 70s comics should be Archived (which means the standard trade dress, $50, slow rotation). In my opinion, Archiving late 70s comics is bad for both groups. For my group, it slows down the rotation. For your group, it slows rotation, significantly increases the price, and saddles it with a relatively boring trade dress. Personally, I feel that many of the comics that people in your group would like would be more successful as trade paperacks (good quality ones, not Essentials). People like me who can't afford another hardcover would buy them and younger people with less cash and more interest in recent material would also be more likely to pick them up. There are lots of people who complain about the high price of Archives. I think that the TPB route gets more of the material you want in a nice format, if not the best format. However, even if you only want hardcovers, I still think it is better for late 70s material to be separated. In my opinion, a $25-$30 New Teen Titans hardcover with a unique design would have sold enough copies to justify annual publication. No Archive since the good years began has waited as long between volumes as NTT. I'm sure that the price is the problem. So in my opinion, you are more likely to get hardcovers of comics from the late 70s to now if you don't call them Archives. I just went back to review Joe's previous posts and realized that I've repeated myself a lot more than I thought. Hopefully, I've said something new and interesting. IP: Logged |
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vze2 Member |
quote: Again, this is the point I've been trying to make. Definitely nothing new to add this time. IP: Logged |
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James Friel Member |
Originally posted by vze2: quote: I think that's to core of the argument against late '70s and later DCU Archives, and I don't think it can be much improved upon. IP: Logged |
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dcexplosion78 Member |
quote:
IP: Logged |
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James Friel Member |
Because the whole history of the company and of the medium deserves to be preserved, and making everyone who's interested in any one aspect of it pay for all the others doesn't bother me one bit. Because a taste for the recent and the new is no less narrow and parochial than a taste for the old. Because they can get away with it; Silver Age fans will pay to subsidize Golden Age volumes if it means thay get thsirs. I know--I like the Silver stuff better as a reader. IP: Logged |
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dcexplosion78 Member |
quote: I agree that almost all of the history should be saved. I say "almost" because there are probably hundreds of obscure backups not worth the time and there is no interest. DC probably will never get to them anyway. I don't think any faction should subsidize any other. If the Neal Adams GL/GAs and Deadman books are $75, then if Golden Age stuff means enough to a collector they will pay $75 for stories that would otherwise cost thousands. If Golden Age books make Silver Age or Modern Age books more expensive due to subsidizing, that's bad business. If the Silver Age books would otherwise be $39.99 or the Modern Age $19.99, DC will only hurt itself with overpricing stuff in demand when the Golden Age folks would pay $75 or $100. It's the same way with the standard books, most of the Superman and Batman books are cheaper than the other titles due to demand, so the other titles get marked up to $2.95. Which brings up a tangent: it's one thing to charge $2.95 for Superman: Birthright with "extra pages at no extra cost." But, if they expect readers to pay more than they do for Superman and Action Comics for the same 22 page count, good luck. I don't care how brilliant some of Birthright might be, rebooting the origin for the umpteenth time isn't that special. IP: Logged |
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Joe Pacheco Member |
quote: Couple of thoughts. I like the 70's/80's material in the archive format because I envision the archive line as a "best of the best" prestige line and those 70's/80's books deserve to be included. Quality should be the overiding part of the equation. Maybe I'm wrong, but that's how I see it. While HC series like Sandman/Dark Knight/LOEG are nice, I think that they suffer from being orphaned instead of being part of series. As I suggested before, I'd love to a see a DC Signature line or Modern Archive or whatever you want to call it which creates a library of DC's titles. Nobody commented on it, so I'd say it's an unpopular idea. Of course this is a second choice. I prefer increased archive production and the Jonah Hex, Hellblazer, GA Flash, New Teen Titans, World's Finest to live happily together. About TPB's from the 70's & 80's, I think you may be overestimating the demand. With a few exceptions most of the best mid-80's to recent material is in TPB. The 70's stuff is so old it might as well be from the 50's. Maybe I'm underestimating things but I think the demo that would buy a Jonah Hex or the Superman Sand Saga or 1970's Legion book would just as soon buy a HC as a SC. In other words say Jonah Hex archives #1 sells 3000 (initial orders) as $50 archive, it would have to sell 7500 $20 TPBs. I doubt the TPB would sell more than 5000. IP: Logged |
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IndiaRubberMan Member |
I guess I'm not really saying anything that hasn't already been said, however, as I sit here watching Smallville, I find myself suddenly wanting to rant about anything to keep my attention away from this show. My whole thought process on this is fairly simple. I agree that HCs from the 70s are in the same category as the books from the 40s, 50s, and 60s. However, the books from the 80s are so damn easy and cheap to come by I just can't imagine enough people would be willing to fork over $50 for an archive featuring material they could buy for a total of $6 at just about any comic store. I know that a lot of people, myself included, prefer high quality HC books to floppies or SC, but even I can't justify that kind of expense. A couple years ago I was on a Superman kick. I bought EVERY single Superman, Adventures, & Action post crisis book from the reboot thru the death and I had no problem finding every issue and 95% of them were $1 each. Books from the 80s are cheap and easy to find, and I'd rather get archives of stuff that is expensive and hard to find rather than something I can find and read easily and cheaply. For me, it's more about getting as many stories as I can. IP: Logged |
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